This is a thrilling "theatrical" mystery in which your theatre becomes the set for the play. The playwright turns on the stage work light and prepares for the first reading of his new play. The actors, producer, director and others connected with the show come onto the stage, and under their humorous (and utterly real) theatrical talk, tension grows.

We discover that everyone connected with this play was involved with another play by the same playwright. At its opening night, exactly a year ago and in this same theatre, the beautiful leading lady, who was also the playwright's fiancée, was murdered! Logical twists build to a climax and solution that are theatrically stunning.

Playwright Sharr White transforms photographer Larry Sultan’s landmark photo memoir for the stage in this new three-character play. In the 1980s, Sultan spent a decade photographing and interviewing his parents and unearthing the memories beneath his family’s home movies.

The result is a deeply intimate and comic portrait of a mother, a father and their son. Though set in the recent past, this poignant and theatrically inventive play is both of-the-moment and timeless.

Two women and one man are locked up together for eternity in one hideous room in Hell.
The windows are bricked up, there are no mirrors, the electric lights can never be turned off, and there is no exit.
The irony of this Hell is that its torture is not of the rack and fire, but of the burning humiliation of each soul as it is stripped of its pretenses by the cruel curiosity of the damned. Here the soul is shorn of secrecy, and even the blackest deeds are mercilessly exposed to the fierce light of Hell. Famously, Hell is other people.